Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Wednesday, February 25, 2015

On the Challenge to Not Read Straight White Cis-Gendered Males for a Year


Identity politics is always tricky, but I really don't understand what the big deal is. Author K. Tempest Bradford has thrown down the gauntlet: "What if I only read stories by a certain type of author? Instead of reading everything, I would only look at stories by women or people of color or LGBT writers. Essentially: no straight, cis, white males." She's challenged people to read other voices for a year.

In the past, I've done personal challenges (though I'd never call them challenges, just more like personal goals) similar to this. Never before for a year. And never before exclusively. I'm even in one right now. I've been trying to read mostly female crime fiction writers. Just finished Megan Abbott's Die a Little and am starting Ruth Rendell's Live Flesh. (If people have recs, please leave a comment.)

I totally get the part that people feel about discriminating against one group. But there's definitely an argument that the group she and supporters are targeting is the dominant and over-represented group, so therefore, it's pretty much impossible to effectively discriminate against. And let's be real, this challenge will do nothing to Jonathan Franzen's book sales. But even more to the point, so what? If she wrote it different and said, "Hey, I read no straight, cis, white males for a year and this is what I found..." then would anyone care? Is it the fact that she's trying to enlist others? Is she even though? It's a challenge, you don't have to accept it. If I went for a two year masters in black studies and only read black authors for a year, would you give a shit? And if at a party I said to you, "Hey, you should get a master's in black studies and only read black authors for two years. Heck everyone should!" would that be me enlisting others for discrimination? No. I don't think so.

I've seen some object to the slashed through Neil Gaiman book (to which he responds: "For anyone hoping for outrage, I think that @tinytempest's article at [link] is great, & don't mind being the posterbook"),as if it that means that she's going to go out and start burning books, starting with American Gods (which, if that's true, I have some matches; I kid!). And there's some unfortunate click-baity stuff even on the website, making it sound like she's calling for a boycott. But really, it's a challenge. Not a judgment or a policy. She's not calling for the banning of a type of author. She's saying, hey, try it, see what happens. And as any non state sponsored challenge that is not overseen by any board, judges, or referees, you're free to interpret the rules how you see fit. You can only read QUILTBAG authors. Or only transgendered. Or only black. I wonder if that's it, that the language she uses in the article sounds discriminatory: I'm not going to read X group. I wonder if she reworded it: Hey, I'm only going to read QUILTBAG black and Asian writers for a year, and I challenge you to do the same.

She includes a list of authors which is great and the most value for this kind of challenge (although Umberto Eco's The Name of the Rose is on there, and he's a married and Italian, which I guess doesn't count as a white European and that book is not exactly underrepresented, seeing as how it's been adapted into a movie starring Sean Connery as well as a stage play, a video game, etc.). See, I've done this before, and found under appreciated voices and books. I've gone through stages of only Scottish Authors, only Horror Authors, only Female Authors, only Non-Fiction, which has forced me to seek out authors I wouldn't have stumbled upon. And that's where I agree with her the most. Often times I've looked for a subset group to seek out and then you go to the bookstore and you realize: Hey, these authors aren't that easy to find. At the end of every aisle is Franzen or or the Hunger Games or J.K. Rowling or George R.R Martin or J.R.R. Tolkien or some other R.R. or whatever hot author popular author they are shoving in your face (unless it's Green Apple Books!). Then you have to remind yourself, no, I'm not here to read a Sue Grafton mystery, I'm here to find discourses on Edwardian lesbian poetry.

I mentioned this to Eileen Gunn, about how if anything, this would be a great resource for making participants go and seek out other voices, and she pointed me to the Carl Brandon Society's resource reading list, which taking one look at is a great place to start, especially for black writers and for Native American writers, an extremely under represented group.

Finally, she's only talking about a year. She's not calling for a lifetime ban. It's a challenge and an experiment. Hell, I'd love it if some right-wing Analog-writer Sad Puppy Award thumping author did this challenge and wrote about it. Even if at the end of the year they say: "Learned nothing! Waste of time!" But mostly I've seen them bitching and crying discrimination on the webs. White men crying about "not being included," even though the challenge is open to all. But often it's the hegemony that cries out the most when it's not invited to the part... even when it is.

(After saying all that, I'm not going to be doing this anytime soon [maybe midway through 2015, but probably not until 2016], because of my backlog:

And this doesn't even include my Kindle reading list.

But in the meantime, I'll be putting together a killer reading list.)

Wednesday, September 26, 2012

Book Report: Near+Far, Cat Rambo (Part I)

I don't actually remember the first time I heard or read about Cat Rambo or one of her stories. I do remember the first time I saw her name and I was like: "Cat Rambo? Who the hell goes by 'Cat Rambo'?" Well, Cat does. 

Cat Rambo's name has floated across books and anthologies and zines I've read for the last five years or so. Editor of Fantasy Magazine, fiction in Strange Horizons, Clarkesworld, Hyperpulp, Asimov's, and a shitload of anthologies. Her name is synonymous with speculative short fiction over the past decade and seems to have exploded in the last couple of years. She had nineteen short stories come out in 2011. NINETEEN! 

I got to meet her up at Clarion West in 2011. She lectured on online presence and industry stuffs, giving her time in and out of the classroom. She's a great supporter and resource, one of the many writers up in Seattle who make moving up there a temptation. 

A few months back she asked me to review her upcoming short story collection Near+Far (2012, Hydra House), which is what you're reading now. There're so many stories in this collection I'm going to break this review into two parts, the Near and Far collections, which follows the book's layout. Both collections have their own table of contents and restart the page numbering. I read my version as a PDF, but apparently the printed copy is bound in a style calletête-bêche, like how the old Ace Doubles used to do it. But you know, done classy. I think it not only works, but it's just the sort of thing print publishers need to do if they want people to go out and buy the print copies of their books. It worked on me and I've already read the book. The covers were done by Sean Counley and the interior artwork was done by Mark Tripp.

Cat also did a line of jewelry based on the book's artwork:

Near+Far jewelry
Nancy Kress sporting snazzy Near+Far jewelry 
This book is great opportunity to examine Rambo's work in detail. It's a retrospective with stories that go back to 2007, so you can see what she's been doing over the years. As I said before, I was familiar with her and her fiction, but I'd never read her stories back to back and wasn't able to see just what she was doing with her work. 

She starts off the Near collection with a strong story, "The Mermaids Singing, Each to Each". It's a beautiful, lyrical story of a formerly female protagonist who's gone and had its gender removed after years of sexual abuse by its now deceased uncle. But that's all back story. The real story is of it and two others navigating waters filled with man-eating mermaids (done with a nice bit of worldbuilding) while the trio prowl the seas looking for garbage, the modern booty. But the real-real story is whether or not the protag can forgive the semi-autonomous boat it inherited from its uncle which it holds partially responsible for its abuse. "Mermaids" encapsulates what Cat Rambo is really writing about: relationships.

Her stories are quiet meditations on relationships. Now, "quiet" in a review is usually code for boring or nothing happens. This is not the case. There's murderous mermaids, superheroes, asphyxiations, dark shamans, quasi-animal burnings. There's plenty of action and things ahappenin'. No, what I mean by quiet is that many of her stories are about, at their core, relationships, usually between two people, they just don't say so up front. 

This is not an easy thing to do, to have these subtle but effective explorations of relationships (brother-sister, victim-perpetrator, husband-wife, rival friends, boyfriend-girlfriend) all while the world is ending, cybernetic cats are prowling, supervillians are attacking, and immortality is at your fingertips in some crazy fruit. Usually there's some new element that's introduced which causes the relationships to stress and/or react. In many of her stories the element is a new-fangled product with spec-like qualities, such as with "Vocobox(TM)" (a voicebox for cats) and "RealFur" (living clothing) and "Therapy Buddha" (a talking buddhist psychology doll; actually the product isn't very spec-ish, it's the worldbuidling in this one.). The new element doesn't cause discord in the relationships, it just pulls the lid back, exposing them. For example, "Close Your Eyes" is a haunting tale of a sister who cares for her dying brother. She drives him around, supports him financially, lives with him. She's put her entire life on hold while he withers away. And for all her sacrifice she is rewarded with bitter resentment and passive-aggressive sarcasm on page one, a relationship that I think is all too real and common. The new element is the brother's interest in shamanism, which he explores in classes at the hospital he goes to for treatments of his undisclosed illness, but the discord was there years before the story started.

The emphasis on relationships lends the Near collection an intimacy and immediacy that feels contemporaneous. For the most part, these are people who are living modern lives right around the corner from us. Besides the cybernetic superheroes. 

One of the things that I wasn't so thrilled about at first were the stories' endings. That's because many of them end on natural notes, meaning that while plots are not resolved the character's arcs were. Such is the case with "Memories of Moments, Bright as Falling Stars", where the story just ends. What about the bad guys? Will the protag survive? You can't just end a story right there like that!?!? But she did. And once I reread it I found that it ended there because the protag's story had concluded. This is a strong collection because even if there are pieces that don't work for you (wasn't a big fan of "10 New Metaphors for Cyberspace", a borderline poetry piece that went over my head) there're many others that will. It's a collection filled with a variety of stories that are able to get at and portray the human experience in wondrous environments.

(That was Part I of the review. Part II is here.)

Friday, June 29, 2012

Behold: Blade Runner Sketchbook

The 1982 Blade Runner Sketchbook, edited by David Scroggy, which records the production design and drawings from Syd Mead and Ridley Scott. Need I say more? Wipe your drool up before you leave.

Tuesday, June 26, 2012

Book Report: Blindsight, by Peter Watts

Blindsight

This was a hard book to review. There's a significant amount of buzz about this book (Charlie Stross, Elizabeth Bear, Jeremy Lassen, Starlog, Interzone,), and I would say, by and large, it's mostly deserved. Mostly.

Blindsight is the story of a small four man crew (with a few back up popsicles in cryosleep) who go out to meet up with an alien ship that's entering our solar system. It's a scientific exploration of philosophy dressed up as a First Contact story.

The term I heard the most in reviews is "tour de force". And it was. Blindsight was a tour de force of everything Peter Watts. Or, at least, it certainly felt like it (especially in reading the end notes where the personality and "voice" of the author carried across from the fiction). It's a flashy book with slick prose and ideas flying around like fists in a bar brawl (I hate it when reviewers get figurative). And it was a problematic read.

Wednesday, May 23, 2012

Book Report: The Quantum Thief by Hannu Rajaniemi

The Quantum Thief (The Quantum Thief Trilogy #1) Left hook, straight punch. But no knock out. That's pretty much my review of Hannu Rajeniemi's The Quantum Thief. Often miscategorized as Science Fiction, sometimes even as "Hard" Science Fiction, this Science Fantasy book packs a galloping adventure of post-humans fighting for... well, I'm not totally sure what they were fighting over. In fact, can anyone tell me why exactly Mieli busted le Flambeur out of the Dilemma Prison? And why did the zoku take over a population of gogols (mind copies) indentured into a Mars terraforming prison that was data-scrambled after the Spike (the explosion of Jupiter) in a deal with the Cryptarch (former warden?), who seems to be an incarnation of Jean le Flambeur, and then buffer said deal by creating the tzaddikim to counter the Cryptarch's power? It's not just your head that's spinning.

Here's a breakdown straight from the book
An interplanetary thief is building a picotech machine out of the city itself while the cryptarchs take over people's minds to try to destroy the zoku colony in order to stop the tzaddikim from breaking their power.
Course the book doesn't actually answer why any of this happened.

Monday, March 12, 2012

Book Report: Max Ehrlich's The Reincarnation of Peter Proud

My rating: 3.5 of 5 stars

Some books are great because they capture a story, others a place, and still others a time. Max Ehrlich's Reincarnation of Peter Proud is a great snapshot of the early 70's, with the "trippy" 60's still reverberating and morphing into burgeoning New Age movement. At least, that's how it feels. I wasn't there, so I really don't know. The closest I can get is the TV, books, and movies of that time, and it feels like Reincarnation of Peter Proud fits right into that, despite it wanting to be a supernatural thriller.

Thursday, March 1, 2012

Book Report: The Peace War, by Vernor Vinge

The Peace WarThe Peace War by Vernor Vinge
My rating: 2 of 5 stars

Where to begin. I love Vernor Vinge. Fire Upon The Deep, Deepness In The Sky, I'm not going to say they are masterpieces, but they deliver such great ideas that whatever problems the stories had mechanically (2 dimensional characters, wonky plots, horrible dialogue), just got buried under the scope and wonder. Not so much with The Peace War.

Friday, February 17, 2012

Out this week: Robots the Recent AI!

Out this week is the anthology Robots: The Recent AI which includes my story "Houses", originally published over at Lightspeed Magazine. Get a taste here.  This is an excellent collection of stories that features some crazy talented writers. Somehow I weaseled my way in and I'm pretty pumped. Like I said above, you can check out my story for free to get a taste of the book, and if you like grab yourself a copy (electronic/hardcopy) here (Amazon) or here (Barnes and Nobles) or here (Prime Books). Enjoy!

“Tideline” by Elizabeth Bear
“A Jar of Goodwill” by Tobias S. Buckell
“Balancing Accounts” by James Cambias
“The Rising Waters” by Benjamin Crowell
“The Shipmaker” by Aliette De Bodard
“I, Robot” by Cory Doctorow
“Kiss Me Twice” by Mary Robinette Kowal
“Algorithms for Love” by Ken Liu
“Alternate Girl’s Expatriate Life” by Rochita Loenen-Ruiz
“The Djinn's Wife” by Ian McDonald
“Houses” by Mark Pantoja
“Artifice and Intelligence” by Tim Pratt
“Stalker” by Robert Reed
“Droplet” by Benjamin Rosenbaum
“Eros, Philia, Agape” by Rachel Swirsky
“Under the Eaves” by Lavie Tidhar (original)
“Silently and Very Fast” by Catherynne M.Valente
“The Nearest Thing” by Genevieve Valentine